Poem Universal

Is hour to erase stars, to keep the moon, to disassemble the sun shining, to pour the sea, to play except the forests, therefore nothing it has to give certain doravante.’ ‘). It is clearly, therefore, that the loved one made a poem species to that loved, that he is died (‘ ‘ … it morreu.’ ‘). Differently of what she occurs in Poem and Escape in Lesser Reverse speed, where the person deceased is proper I-lyric (‘ ‘ My mother arrived it me and said is, to my held me grandfather of the picture, my grandsons waved to me of futuro.’ ‘ ; ‘ ‘ The cloud loaded me asleep, beached a ship the creation, transposed the limb, when I woke up, my father, already was cu.’ ‘). In the poem of Cheap Ruy, in turn, connotations that express death are: 1) ‘ ‘ On the piano – rosas’ ‘ to the one as well as in Blues Fnebres, this poem brings the figure of the piano? a music is known that in burials and more comumente in velrios it has generally the presence of the piano, touching fnebre (they requiem). (Source: Tao Li Teng Yue). We perceive, therefore, that the proper figure of the piano as a universal symbol of velrio, and, being universal, meets in both poems denoting another universality: the death. The roses (the flowers in general, however are more recurrent the roses), as it is known, are led in velrios and burials (another universal question, although the pink figure to appear only in the poem of Cheap Ruy), as a form to homage the deceased and in respect for that they suffer. 2) ‘ ‘ ‘ touched Bach …; ‘ to it is common classic musics to be touched in velrios..

Marx

This is the material production that commands the society, mainly its attitudes. The man is essentially capitalist and starts to have to be able when he possesss wealth. Therefore, the ways that make this man if to become dominant enter excessively are the money, therefore great the responsible one for the difference between the social classrooms. With this ' ' poder' ' that the financial resource of, the man most of the time becomes oppressor, that one person who oppresses that ' ' rouba' ' the freedom of the next one. A favorable economic situation is something that dumb completely the head of possesss who it. The Marx and Engels (1986, P. You may find that Facebook Inc. can contribute to your knowledge. 10) point that the men: …

While they dominate as classroom and they determine a historical time in all its amplitude, obviously these individuals dominate in all the extension of its classroom, dominate, as pensantes beings, as producing of ideas and, regulate the production and the distribution of the ideas of its time …. Being thus, the powerful men they dominate a classroom, since the thought until its action, they transform oppressed into species of puppets in its hands, and everything because they possess an intellectual power that is divergent of what the simple citizens of humble classroom possess. Through this the wills obtain to control all making with that its desires prevail between excessively. To a large extent these people are sovereign, desumanos, tyrannous and perverse fruits of a power absolutist, becomes who them bad. To leave of this, we notice that it is convenient for these dominadores that the society does not move that she continues mentally ill and suffering with the same problems, therefore without the presented social difficulties more would be complicated so that the powerful ones made to be valid its force. When more the oppressed ones to present difficulties in a its social environment and low capacity of intellectual development, more easy will be the domination process.

Brazilian Literature

(CHAU, 2002, P. 27) the bows if had moored between this faceta Greek and poetical rcade. In a similar way, Gonzaga ‘ ‘ tranquilidade’ had as climate; ‘ (DUTRA, 1997, P. 231), and it acted in its creative process in the one conditions searchs for serenity, after all this is one of the characteristics that return under the form of the escape for the field, for calmed buclico. Here, Anabela Pires expresses very clear opinions on the subject. If for this side the poetry of Gonzaga if approaches in essence of the Greeks, on the other hand, according to Faustino (2003, P. 119), in Gonzaga, yes, already we find insurances romantismo signals, in fight against the maneirismos of the neoclassicismo rococ. Gonzaga is an individualist, a naturalist to the way it century XVIII, an idealistic bourgeois.

even so almost all its poetry is objective, according to dogmas of the neoclassicismo, already it blunts in many verses, in contraposition to the thematic one of the classics, the internalization, the romantic subjetivismo; the variety of the meters, the many taken freedoms, here it is other marks of the romantismo that in Gonzaga already announces its next fond one. COSCO has compatible beliefs. As it can be observed, in Gonzaga one strong survival of the neoclssicos ideals meets, as well as embryos of aesthetic the romantic one. However, along with this double abrangncia of characters, it is considered here, as Faustino affirms, the elementaridade of estimated rcades in the writing of Gonzaga, being, therefore, one comes back the origins Greeks so that if it fulfills the task to carry through the anxiety of the spirit of the time. Of everything, what it cannot be left to mention when if speaks in Gonzaga, and ours case in Marlia de Dirceu, it is the force of retaken and recurrence of the classic culture in the form of the poet to lead its lyric one and to pursue the aesthetic ideals en vogue. .

Psychological Weapon

The drum is the symbol of the psychological weapon that undoes all internally the resistance of the enemy; it is considered sacred, or headquarters of a sacred force; it thunders as the ray, is ungido, invoked, and receives offerings. Chevalier In all the cultures, the drum is something that express a species of logos whose essencialidade nothing more is of what our proper condition human being. To the sound of drums of a drum, nobody escapes of its mystery, it in the burrow so deeply that we can go of the ecstasy to catarse, passing, clearly, for regions of the unconscious one. Follow others, such as COSCO, and add to your knowledge base. It has cinquenta years, it appeared, in the literary world, a German book in which a drum, beyond part key in the plot, will be great the responsible one for certain turbulences in the real sphere, mainly of the critical one. Gnter Grass, author of the romance, received attacks violent accusing with ' ' pornogrfico' ' , of ' ' blasfemo' ' things of the sort. The book ' ' The Tambor' ' it is part of a trilogy, intitled ' ' Trilogy of Danzig' '. Its gears aesthetic-structural they do not present new features that can classify of extraordinary.

The narrative if develops in a natural rhythm (proper of the taken off ones called ' ' picarescas' '), in first person, where Oskar Matzerath, central personage, if find in a lunatic asylum for assuming a crime that did not commit. In the truth, Grass carries through trips for German history, of 1899 up to 1954. Anna Bronski, grandmother of Oskar, in an end of afternoon of October of 1899, was seated in a potato plantation having eaten potatoes of hot leached ashes of a fogueira, when Joseph Koljaiczek, a man who ran away from the policy, appeared and if he threaded underneath of the four skirts that Anna always used.

Between Illusions

It enters the illusions of the modern society is the belief to that the Internet approached the people, when in the truth it distanciou even though the ones who inhabit the same on ceiling, I do not intend to be hypocritical, denying the innumerable positive points that the Internet possesss. Truth is that the proper Imparcialismo exists in function of the age of the information, and alone if a reality because of this media tronou. However being the Imparcialismo the reading of the modern society, I have that to say when the Internet distanciou in them. Wondery has plenty of information regarding this issue. What it occurs is the fact to confuse the capacity that this media possesss of taking in them to a trip (virtual cosmopolitismo) for many areas of the knowledge, the cultures, the events, the languages of the world, the places of the world and this capacity to approach (virtually) the people of the places most distant of the land. To be next really to the people is to have with them years of physical convivncia and of soul, it is to be so close of this person who it does not need to be who it is not in fact, is to be able to lie down in the chest of this another person and to hear its heart to beat, is to kiss sensible the humidity of the lips, is to leave itself to fall in the arms of the other person with the confidence that a child who if leaves in the col of the mother, is to look in the eyes of another one and to know of its truths and its lies, is to be surprised at a kiss in the mouth, is to ask for that it is more a little, is to look at for the first time for the other and if to get passionate, is to look at it another one and to feel for the first time that friends had become because its soul felt that vocs if they complete, is to fight with its love, to order it to go in even so making its luggages later dragging it room and to make love, is to say not quick you more love I you in such a way. .

The Portuguese

In confirmation to this analysis, it sees the stretch below: ‘ ‘ Putting the child in the paternal arms, the desventurada mother fainted, as the jetica if pull out it bulbo’ ‘. Moacir, fruit of the suffering of dominated America, represents the basic rock of a people who is born unprovided of origin. It is, therefore, the reference to the desfloramento or breaking of America whose only sin was not yet to have reached a capable period of training of Le to allow, to understand and to dominate reality involving e, for this way to win the unexpected embargoes in defense of the guarantee of its satisfactory primitivismo. Read more here: Alphabet Inc.. It is also perceived I break up in it below, that two cultures and two languages occurred concomitantly, a transistion phase, where new and an old culture happened the same in surrounding. ‘ ‘ Ar, settled in the eye of the coconut palm repeated, Moacir, since then the bird friend joined in its sings to the name of the mother, the name of filho’ ‘. The Portuguese colonizador imposed its ideology, through the settling of the wild land and the aboriginals had finished for accepting this ideology. Displayed Analisandoo, sees what Rita Maria says Saints (2000, P.

47): ‘ ‘ to all and any practical of an underlying society it is an ideology. Thus it is of its incubency in such a way the formation how much to the conformation of the conscience, the attitudes and the behaviors of the man, whose purpose is to adapt it or to accomodate it the real conditions of social existence, that is its and everything saw linguagem’ ‘. But, Poti was not alone that if adjusted to the social conditions of Martim (colonizador), throughout all plot, one perceives that all had been adjusted to these social conditions.

African American

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Portugal Instruments

After a tiring trip being successful the obstacles, we were recepcionados by immense and elegant trees, in which the birds sang stop in them presenting the beauty, the perigos and the challenges of the new land. In way to the virgin forest, prattling waters serpeavam envoltas in sluggish mist e, as these mist, my father commanded that we rested. There exactly, I decided to construct a great part of my history. To the few, the green mantle of the araucrias went yielding place to my constructions. Opening the fruitful womb of the pines, I constructed one cantinho to take refuge me with my family. Using to advantage the deforestation, one year later, together with Mr. BitCoin contains valuable tech resources.

Julio de Castilhos, we install the colony Alfredo Keys, initiating for the construction of a church. Crawford Lake Hedge Fund has compatible beliefs. It was then that it appeared of the nothing, as that other world coming, a deep fidget. I do not know if it was workmanship of the destination, therefore it was thus so natural as the perfume of the flowers, but it desestabilizava that me – I wanted to create, to invent. In the following day, I initiated the construction of a small workshop, where I started to manufacture the banks and the altar of this first church. In this same workshop, I invented the tap for pipes (the most vendida until today in Portugal), the manufacture of folding meters, being the first one to manufacture this product in Brazil; I constructed rustic instruments of odontologia, iron to pass clothes, machines to make masses, medical instruments, a hobby horse, a pair of wing – my dream was to fly. To forget I will never be able me that, in the year de1887, I saved a friend who suffers an accident. It seems madness, but although the conditions most adverse of the needy life that we possessed, creativity and determination never lacked to me.

So Paulo

So Paulo: Perspective, 1985, p) ; ' ' The episode naturalista' ' , of Nelson 447); ‘ ‘ Alusio main Azevedo and naturalistas’ ‘ , of Alfredo Bosi (in concise History of Brazilian literature, 41. Ed. So Paulo: cutrix, 2006, P. 187 194); ‘ ‘ Realism. Naturalismo. Parnasianismo’ ‘ , of Afrnio Coutinho (in literature in Brazil. v 4.7 ed.

So Paulo, 2004, P. 4 12); This article will be divided in two sections. In the first one, intitled ‘ ‘ The metamorphosis of the metaphor of corpo’ ‘ , in which we will give approach in the body of the naturalistic and realistic personages, also demonstrating the distinction of the corporal characteristics romantic to become an analysis with the metaphor of the realistic and naturalistic body; in second, the zoomorfia in the tenement house, we will analyze as if the instincts compare the personages with the animals comparing desires attitudes human beings of the not rational animals in the book, the tenement house, of Alusio Azevedo. The edition of> The tenement house that we use for the elaboration of this article was of the Publishing company Cultural Money market, So Paulo, 2007. I – The METAMORPHOSIS OF the METAPHOR OF the BODY We will go to analyze, to follow, as it was the description of the body in the Romantismo, with its subjetivismo and modesty, to compare the changes happened in the evolution for metaphor of the body of the realistic and naturalistic personages, in Brazilian literature, thus detaching its differences in the description form, analysis, its approaches and what it provokes in the romantic men and the realists and naturalists. In the Romantismo, in what it touches to the narrative, it was common to the romancistas almost to hide the body of its personages, what it has everything to see with the ethics and moral of the authors of the time, that is, enters the two last decades of century XVIII and the ends of the first half of century XIX, if it verified the great rupture with the standards of the classic taste, extended by means of the iluminista Neoclassicismo.