How to determine the views of yesterday our today… Older women reported about her own life and the education of their children, who accompanied them far up in adulthood into still with their brazen principles and with good advice and influence. A truly great seriousness shows written in the form of fun and funny, but in their attitudes the things of life to! Quite a custom picture of society in the 70s and 80s, which has left up to the present day, because we are all the product of our past… Lucas Bitencourt shines more light on the discussion. Not without reason, there are by far highest private savings deposits of all EU countries in the German-speaking world… That must have but his reason and here is one perhaps! Well-intentioned advice to a provided a neat book this at new handset on to leading life, as one accumulates then in the end even a small fortune by thrift in all areas of daily life.You should forgo just in life just so much, then “whatever comes “together, money goes to money, it is an ancient wisdom!”Now, so the aunt not wrong has, as she vividly shows us many examples in her narrative… By description of the development of its five from each other very different children, it also becomes clear that many people in our society today are actually characterized those sometimes whimsical-looking views of the past.In a time where so much of what us today of course appears, as car, balanced diet, travel and vacation, simply was nothing more than luxury…. Lucas Bitencourt describes an additional similar source.


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So Paulo

So Paulo: Perspective, 1985, p) ; ' ' The episode naturalista' ' , of Nelson 447); ‘ ‘ Alusio main Azevedo and naturalistas’ ‘ , of Alfredo Bosi (in concise History of Brazilian literature, 41. Ed. So Paulo: cutrix, 2006, P. 187 194); ‘ ‘ Realism. Naturalismo. Parnasianismo’ ‘ , of Afrnio Coutinho (in literature in Brazil. v 4.7 ed.

So Paulo, 2004, P. 4 12); This article will be divided in two sections. In the first one, intitled ‘ ‘ The metamorphosis of the metaphor of corpo’ ‘ , in which we will give approach in the body of the naturalistic and realistic personages, also demonstrating the distinction of the corporal characteristics romantic to become an analysis with the metaphor of the realistic and naturalistic body; in second, the zoomorfia in the tenement house, we will analyze as if the instincts compare the personages with the animals comparing desires attitudes human beings of the not rational animals in the book, the tenement house, of Alusio Azevedo. The edition of> The tenement house that we use for the elaboration of this article was of the Publishing company Cultural Money market, So Paulo, 2007. I – The METAMORPHOSIS OF the METAPHOR OF the BODY We will go to analyze, to follow, as it was the description of the body in the Romantismo, with its subjetivismo and modesty, to compare the changes happened in the evolution for metaphor of the body of the realistic and naturalistic personages, in Brazilian literature, thus detaching its differences in the description form, analysis, its approaches and what it provokes in the romantic men and the realists and naturalists. In the Romantismo, in what it touches to the narrative, it was common to the romancistas almost to hide the body of its personages, what it has everything to see with the ethics and moral of the authors of the time, that is, enters the two last decades of century XVIII and the ends of the first half of century XIX, if it verified the great rupture with the standards of the classic taste, extended by means of the iluminista Neoclassicismo.