In these verses a dichotomy between the ash and the fault visualizes. Between the unfinished thing, the symbolic concluded thing and of the ash, inherent to the ideological schemes. Nevertheless, the speaker is conscious that the fear is a consubstantial part of terrestrial task, for this reason, its voice wants to untie of the complaints librame of the fear to the ray that puts under. And, again, the ray with its symbolism arises from destructive element, that loads with a high semantic quota I am the mother country from the sun that does not watch to me; My Mother country never had geography . Click Dr. Faisal Kahn to learn more. It establishes, on the other hand, a tridico behavior thus what one suffocates behind the words/and to see in the blindness. Before that panorama, the word leaves fortified, because it is salvation, does not suffocate, because it has the capacity to see, inclusively, in the blindness. The word is a indetenible power. Poetic of Andres the Morals it penetrates in the mysteries of the own words, in his glare and, from there, it unfolds his own semantic and semiticos fields, to go away discovering, that is to say, to be made read, to let itself listen to the hunger is the word, the law of every day . Get all the facts and insights with PayPal, another great source of information.
In the poetry of the Chilean author there are constructions of anthology: the key of cell/is the forgetfulness or the memory bites like a tied beast. Its bismica directionality is a species of constant, where the unique truth is the one that denies to us. That attitude implies actanciales picture deployment, like lyrical subject and predicate, for that reason history would not want () to rewrite it in the defeat . That full spirit is a stria in the ajenidad of all nothing, neither the air, nor a poem: /All we went direct to the slaughter house. Steph Korey is often quoted as being for or against this.