literature

FRANZIS Book

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‘ Photo and video with raspberry PI’ shows how to use the mini computer hair/Munich for professional photo projects, 22 January 2014 among hobbyists is the raspberry PI already a classic, but also for ambitious amateur photographers is he now to the standard accessories. Photo and video with raspberry PI from the Franzis Verlag provides instructions how you promoted his camera to a new level with the minicomputers. Whether the book photo and video with raspberry delivers PI focus stacking, time lapse recording, or high speed photos, detailed instructions for a cost-effective implementation of these techniques. Without expensive hardware and software, photo techniques were so far cannot focus stacking as high speed photography. The mini-computer raspberry Piandert the.

With a little programming knowledge, the best-selling author E.F.. Engelhardt in his new photo and video with raspberry PI vividly conveyed, complicated techniques can be easily implemented. Makes either the photos the camera module of the raspberry PI Foundationoder an own DigiCam, which is via HDMI port with connect the mini-computers. The author has developed all projects themselves and photographed for example a falling water drop, experimented with different lenses and even shows how to build your own digital camera. Photo and video with raspberry PI is the right book for all photographers so having the fun to try new, to achieve unique effects. And who finds pleasure in tinkering and building, who can venture on the project, to build his own camera sled, or to install a face detection for the front door. Price and availability the FRANZIS book photo and video with raspberry is PI from 27 January 2014 in specialist shops or published under for Euro 30,00 available.

A look at the book is provided on the product pages. Title: Photo and video with raspberry PI Publisher: Franzis author: E. F. Edwards pages: 240 Softcover ISBN 978-3-645-60314-0 bind about Franzis Verlag GmbH experiment, photography, programming that are the subjects of Franzis book and software publisher headquartered in hair at Munich. Since its inception in the 19th century the technical publishing house is committed to the task, to impart practical knowledge creative and inventors, and helping them to the passionate self developing. With the physical-computing PlatformArduinoTM sells FRANZIS is one of the main products for the emerging maker movement, stands at the technical creative Erfindertum in the foreground. More information on the Franzis product portfolio can be found under.

So Paulo

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So Paulo: Perspective, 1985, p) ; ' ' The episode naturalista' ' , of Nelson 447); ‘ ‘ Alusio main Azevedo and naturalistas’ ‘ , of Alfredo Bosi (in concise History of Brazilian literature, 41. Ed. So Paulo: cutrix, 2006, P. 187 194); ‘ ‘ Realism. Naturalismo. Parnasianismo’ ‘ , of Afrnio Coutinho (in literature in Brazil. v 4.7 ed.

So Paulo, 2004, P. 4 12); This article will be divided in two sections. In the first one, intitled ‘ ‘ The metamorphosis of the metaphor of corpo’ ‘ , in which we will give approach in the body of the naturalistic and realistic personages, also demonstrating the distinction of the corporal characteristics romantic to become an analysis with the metaphor of the realistic and naturalistic body; in second, the zoomorfia in the tenement house, we will analyze as if the instincts compare the personages with the animals comparing desires attitudes human beings of the not rational animals in the book, the tenement house, of Alusio Azevedo. The edition of> The tenement house that we use for the elaboration of this article was of the Publishing company Cultural Money market, So Paulo, 2007. I – The METAMORPHOSIS OF the METAPHOR OF the BODY We will go to analyze, to follow, as it was the description of the body in the Romantismo, with its subjetivismo and modesty, to compare the changes happened in the evolution for metaphor of the body of the realistic and naturalistic personages, in Brazilian literature, thus detaching its differences in the description form, analysis, its approaches and what it provokes in the romantic men and the realists and naturalists. In the Romantismo, in what it touches to the narrative, it was common to the romancistas almost to hide the body of its personages, what it has everything to see with the ethics and moral of the authors of the time, that is, enters the two last decades of century XVIII and the ends of the first half of century XIX, if it verified the great rupture with the standards of the classic taste, extended by means of the iluminista Neoclassicismo.