It is placed at the beginning of the word, the signifier or a machine to create, there is always the past as empty as the creative subject. Gaia and Uranus and eternal all of the different mythologies have to plug the immeasurable role and powers of nothing that is of creating the show, in contrast, the impotence of knowledge to address the vacuum that generates all the creative act. Omniscience, the gift of eternity, the secret of death, are garments with which have embroidered costumes theogonies omnipotent parents' knowledge. Plato puts this all to know the soul degraded by neglect in their contact with humanity, Freud instead with das Ding is the core of the psyche and from there there are things that are not known, this does not imply that the subject do not attempt to plug that hole with a series of symbolic configurations – are articulated as imaginary creation in the field of culture – that is correlative to the three forms of sublimation, which are outlined in the seminar "The Ethics … ": science, art and religion. Sublimation and creation, then, are complementary terms, in the sense that they are Metonymy and metaphor, but not identical, correspond to the branch of outward and return of the drive, with death and life, respectively. This distinction on the other hand corresponds to what poses Yospe written as the difference between the psychotic, the poet and the scribe: The psychotic is trapped in the hole, since the lack of repression precludes her return, is trapped in the thing, the letter outlines not only that it represents "Once built, the letter-object that you can move, get lost, fall, there is distributed enjoyment", the poet works rather empty. .