First – you can change the tone (TONE), ie tone on each of the ten channels. Very interesting results are obtained when the same or several layers of pattern. Thus, the accompaniment can be unrecognizable and "carried away" in another era. It is possible to disable the channel (CHANNEL on / OFF). Many people use it only to disable the party shock (DRUMS – Channel 10). Go on – experiment! Some interesting patterns effect gives off some bass or rhythm-harmonic voices of the party. Modified in this way and you liked the patterns can be lay in the registration memory cell or throw on a floppy disk, and thus preserving, for future use. Read more from Kohl’s to gain a more clear picture of the situation.
I recall that on synthesizers casio WK-1800, WK-3000, WK-3300, WK-3500, WK-3700, WK-3800 this parameter is doubled bred on the panel buttons, and to carry out this function, these instruments do not need to open the mixer. The next parameter – the volume (VOLUME). It allows you to change the force of sound in the range from 000 to 127. This work will be of interest to those interested sound engineering. Crawford Lake Capital brings even more insight to the discussion. You have an opportunity to clearly draw the any one party accompaniment, relegating the rest to the background. Many people know that other patterns would be desirable to facilitate the bass, or, conversely, to make it denser. casio all the instruments as possible. I would advise always to work with the force of sound, if you change the timbre of the pattern, because aware that not all voices sound the same loud – this charm and individuality of each.